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Island of Peace (Switzerland)

During World War I, the idea of Switzerland as a peaceful island was created and propagated by many means, for example postcards. After the end of the war, this metaphor gained the status of a myth, when it was linked to the idea of self-chosen neutrality and military-based independence and placed within the country’s so-called humanitarian tradition. Historians integrated this myth into the dominant narrative about Switzerland in World War I, which obscured the huge commercial and services exchange as well as the overwhelming political dependency on foreign powers during the war.

A Myth of Swiss Historical Culture

In 2006, when a textbook entitled “Die Schweiz und die Zeit des Nationalsozialismus im Licht aktueller Fragen” (Switzerland and the National Socialist era in the light of current issues) was published in German-speaking Switzerland, the team of authors prefaced the chapter on the post-World War I years and World War II with the image of the Swiss parliament building standing on a massive rock, supported by retaining walls and surrounded by rough seas (see postcard).1 This image refers to a powerful Swiss myth: the postcard from 1914 showed the dominant view of Switzerland’s position in the world in the 20th century. This image crystallised in World War I and has since remained present in mythical idealisation and as an object of political controversy.

The concept of a peaceful but armed island standing amidst the confusion of war is inseparably associated with Switzerland in World War I.2 Over the course of the 19th century, transnational existences and a powerful exchange between the emerging nations across all areas were considered a matter of course; however, World War I altered the official representation of Switzerland. This concept of an island determined and shaped the hegemonic narrative, not only in contemporary historical culture and politics, but it is still used today in attempts to define Switzerland’s position in the world.3

Armed Neutrality: Securing a Safe Haven

In 1914, the Swiss government expected to have to forfeit neutrality if the war endured.4 The image of a country that stayed detached and that was spared the upheaval of conflict was already widely used during the war and was presented with a variety of connotations. The island was a powerful image for this purpose (see postcard). Already during World War I, but in particular in the early 1930s, there was a deliberate move to boost the myth that neutrality defended by military means had preserved Switzerland from the war (see postcard).

Although the myth of the freely-chosen status of an island, which was guaranteed by military defence (“border occupation”), persisted until the end of the Cold War, the reasons why Switzerland was spared from the conflict were controversial from the outset. In Catholic circles, God was credited, while military defence was not only considered of secondary importance (see image), but, for example at the ex-voto in Flüeli, the efforts of the military were even ridiculed.5

The general public was also aware that Swiss neutrality was the result of an arrangement between the European powers in 1815.6 On the 1914 postcard, only the French caption indicates that the renewal of neutrality was subject to consent. The German caption employs hazy wording that diverges from this fact, thus illustrating the different concepts of the state in the different language regions.7 Moreover, during the war years, there was a predominant idea that the political and military symbol of the island was flanked by the Swiss economy’s global commercial involvement and activities, and the country’s dependence on imports (such as coal, steel, grain). The connection of the idea of Switzerland as an island with self-chosen neutrality and the independence guaranteed by the military is the product of later years. However, this concept was established and legitimated by referring to Switzerland in World War I. Thus, before and during World War II, the island myth served to obscure the nation’s deeply political and economic dependency, and during the Cold War it concealed Switzerland’s economic integration in the Western Bloc. Today, the metaphor of Switzerland as an island is flourishing again within the context of the debate on Switzerland’s position with regard to the European Union (see image).

The Island as a Humanitarian Beacon

Already during the war, the myth of an island protected from conflict was charged with the humanitarian tradition that Switzerland laid claim to. Humanitarian aid to the war-ravaged world was also emphasised in part to pre-empt the accusation that Switzerland was deliberately and selfishly standing on the sidelines (see postcard). There has been a strong focus on the achievements of the International Committee of the Red Cross since World War I (see postcard), and also the internment of soldiers during the Franco-Prussian War and subsequently in both world wars. In addition, since the Cold War, Switzerland’s Good Services have been viewed in this light.8

The Island as Subject of Academic History

Historical research has returned time and time again to the island metaphor. The dominant narrative on Switzerland’s position in World War I, which has endured until recent times, reinforced the island myth. It did so particularly by viewing the state’s political actions and economic activities as separate spheres. Only in the past few years has the focus shifted to a unified perspective, and the idea of Switzerland as an island untouched by the confusion and strife of the world has been called a myth.9

Béatrice Ziegler, Pädagogische Hochschule Fachhochschule Nordwestschweiz and University of Zurich

Section Editors: Roman Rossfeld and Daniel Marc Segesser
  1. Bonhage, Barbara et al.: Hinschauen und Nachfragen. Die Schweiz und die Zeit des Nationalsozialismus im Licht aktueller Fragen, Zurich 2006 p. 34.
  2. Kreis, Georg: Insel der unsicheren Geborgenheit. Die Schweiz in den Kriegsjahren 1914—1918, Zurich 2014; Walter, François: La Suisse comme île, in: Heinen, Armin/Hüser, Dietmar (eds.): Tour de France. Eine historische Rundreise. Festschrift für Rainer Hudemann, Stuttgart 2008, pp. 419-428, particularly pp. 419-422.
  3. Kuhn, Konrad J./Ziegler, Béatrice (eds.): Der vergessene Krieg. Spuren und Traditionen zur Schweiz im Ersten Weltkrieg, Baden 2014; Kuhn, Konrad J./Ziegler, Béatrice: Tradierungen zur Schweiz im Ersten Weltkrieg: Geschichtskulturelle Prägungen der Geschichtswissenschaft und ihre Folgen, in: Schweizerische Zeitschrift für Geschichte 63 (2013), p. 505-526, here pp. 516-526.
  4. Tanner, Jakob: Geschichte der Schweiz im 20. Jahrhundert, Zurich 2015, p. 120.
  5. Kuhn, Konrad J.: Geschichtskultur als Bildprogramm – Zum Votivbild in Flühli-Ranft, in: Rossfeld, Roman/Buomberger, Thomas/Kury, Patrick (eds.): 14/18. Die Schweiz und der Grosse Krieg, Baden 2014, p. 372-373.
  6. Abbenhuis, Maartje: An Age of Neutrals. Great Power Politics, 1815-1914, Cambridge 2014, p. 47-51, p. 63-64.
  7. Cf. de Capitani, François: Erster Weltkrieg. Aussenpolitik, issued by Historisches Lexikon der Schweiz, online: http://www.hls-dhs-dss.ch/textes/d/D8926.php (retrieved: 12 October 2017).
  8. Probst, Raymond: Gute Dienste, issued by Historisches Lexikon der Schweiz, online: http://www.hls-dhs-dss.ch/textes/d/D26461.php (retrieved: 14 October 2017).
  9. Tanner, Geschichte der Schweiz, 2015, and Rossfeld/Buomberger/Kury, 14/18, 2014.
Béatrice Ziegler: Island of Peace (Switzerland), in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2018-04-11. DOI: 10.15463/ie1418.11239
Note

Images7

Friedensinsel Schweiz, postcard
This postcard shows Switzerland, represented by the parliament building, as an island lashed by waves. The text in German reads: “Gleich einer Insel im wogenden Meere / Liegt friedlich die Schweiz, vom Kriege umtobt, / Dass keiner der Staaten mit Krieg sie verheere, / Haben mit Ehrenwort alle gelobt.“ The French text is: “Comme une île de paix au milieu des tempêtes / La Suisse est à l’abri des horreurs de la guerre, / Les Etats tout puissants qui bordent ses frontières / Ont respecté ses droits et les promesses faites.”
Rebsamen, Stefan, colour photograph of postcard, n.p., n.d.; source: Bernisches Historisches Museum, Inv. 44721; contributed by Béatrice Ziegler.
Courtesy of the Bernisches Historisches Museum.

Above the clouds of war, postcard
This postcard shows a child with a goat on a high outcropping of rock in the sunshine, with a thunderstorm below. The rock represents Switzerland, which is above the thunderstorm of warring Europe and North Africa. The mockery of the postcard confirms the myth.
Unknown artist: Über den Kriegswolken, postcard, n.p., n.d.; source: private collection of Ulrich Gribi; contributed by Béatrice Ziegler.
Courtesy of Ulrich Gribi.

Oh my homeland, postcard
This postcard shows Switzerland in the sunshine, flanked by the dates 1914 and 1916, and captioned “Oh my homeland”. The defensive neutrality of Switzerland is highlighted, with many armed soldiers shown.
Unknown artist: Oh mein Heimatland, postcard, n.p., ca. 1916; source: private collection of Ulrich Gribi; contributed by Béatrice Ziegler.
Courtesy of Ulrich Gribi.

Swiss World War I fresco
Ex voto in the Untere Ranftkapelle in Sachseln representing Switzerland during World War I. Switzerland is shown as a peaceful mountain in the middle of chaos and death. Angels are defending it from attack.
Reinhard, Daniel: Kriegsbild der Unteren Ranft-Kapelle, colour photograph, n.p., n.d.; source: private collection of Daniel Reinhard; contributed by Béatrice Ziegler.
Courtesy of Daniel Reinhard.

Deconstructed view of Switzerland
An image showing the Swiss “peace island“, with multiple bridges connecting it to the outside world.
Unknown artist: De-konstruktiver Blick auf die Inselvorstellung im Entwurf eines digitalen Schulbuchkapitels zum Ersten Weltkrieg für ein EU-Projekt, digital composition based on postcard, n.p., 2014; source: private collection of Waltraud Schreiber; contributed by Béatrice Ziegler.
Courtesy of Waltraud Schreiber, Katholische Universität Eichstätt-Ingolstadt.

Swiss lighthouse, postcard
The caption on this postcard reads ”the peace island Switzerland and its activity of love“. Examples of these activities shine out from the lighthouse, such as caring for war orphans and the exchange of civil internees.
Wehrli, X.: Die Insel als humanitärer Leuchtturm, postcard, n.p., n.d.; source: Gretlers Panoptikum zur Sozialgeschichte; contributed by Béatrice Ziegler.
Courtesy of Gretlers Panoptikum zur Sozialgeschichte.

The two crosses, postcard
This postcard shows the ”two crosses“ of Switzerland, emphasising their inseparability: a nurse bearing the Red Cross flag, representing humanitarianism, and a soldier with the Swiss flag, representing neutrality
Dayan, S.: Die zwei Kreuze, postcard, n.p., n.d.; source: private collection of Ulrich Gribi; contributed by Béatrice Ziegler.
Courtesy of Ulrich Gribi.