Hindostan (newspaper)

By Heike Liebau

1914-1918 Online

Internal Encyclopedia of the First World War

This text is licensed under Creative Commmons Licence

(Attribution-NonCommercial-NoDerivs 3.0 Germany-CC BY-NC-ND 3.0)

Table of Contents

- 1 Aim and Concept

- 2 Actors and Content

- Notes

- Selected Bibliography

- Citation

Aim and Concept

Tunisian propagandist Salih as-Sarif at-Tunisi (1869–1920), together with the head of the Nachrichtenstelle für den Orient (NfO, Information Center for the Orient), Max von Oppenheim (1860–1946), came up with the idea of producing a propaganda newspaper for Muslim prisoners in German camps, in the beginning of 1915. The production of this newspaper with the programmatic title El Dschihad, was part of the broader German propaganda strategy of “revolutionizing the Islamic territories of our enemies.”[1]El Dschihad was supposed to be printed in the languages Arabic, Russian, Turko-Tatarian, Georgian, Hindi, and Urdu, in order to reach prisoners from the respective regions.

On behalf of the so-called Berlin Indian Independence Committee (IIC), Har Dayal (1884-1957) and Mohamed Barkatullah (1854-1927) expressed strong reservations. They objected not only to being involved in this kind of propagandist work, but also to the title El Dschihad. Their chief objective was not exclusively pan-Islamic propaganda, but to strengthen anti-colonial and nationalist sentiments among the South Asian prisoners. Subsequently, instead of El Dschihad, the IIC suggested the title Hindostan for the Hindi and Urdu editions of the camp newspaper. These two languages were chosen because of the targeted readership in the camp, but also because of the language expertise within the NfO.

Actors and Content

Among the South Asians involved in the production of the newspaper were Mansur Ahmad, Taraknath Das (1884-1958), Virendranath Chattopadhyaya (1880-1937), Chempakaraman Pillai (1891-1934) and Bhupendranath Datta (1884-1961). From the German side, the famous scholar Helmuth von Glasenapp (1891–1963) and the former missionary Ferdinand Graetsch, were involved. A total of eighty-four issues appeared in Hindi as well as in Urdu, from the beginning of April 1915[2] until 21 August 1918. The frequency of publication ranged from every few days up to every two weeks. Unlike other propaganda material produced in the NfO, Hindostan was published in comparatively small numbers (700 copies, each for Hindi and Urdu editions). It was – with few exceptions - distributed exclusively in the Half Moon Camp.

Hindostan contained different types of articles. Some articles were related to Germany itself and presented the country as a culturally and economically prospering power with great military resources. The newspaper also had to contribute to an image of Germany as an Islam-friendly country. Other articles contained information about the latest developments in various theaters of the war. A third focus was political and economic developments in South Asia.

The Hindi and Urdu editions were mostly identical, but differed in how much they conveyed pan-Islamic propaganda. Whereas the latter could be found in the Urdu edition, such ideas were not included in the Hindi edition.

Heike Liebau, Zentrum Moderner Orient

Reviewed by external referees on behalf of the General Editors

Notes

1. ↑ Politisches Archiv des Auswärtigen Amtes, Berlin, R20938, appendix to Vol. 2, Denkschrift betreffend die Revolutionierung der islamischen Gebiete unserer Feinde, by Max Freiherr von Oppenheim, October 1914.

2. ↑ We do not have the exact date, since the first issue is missing for both languages. Number 2 of the Urdu edition appeared on 9 April 1915.

Citation

Liebau, Heike: Hindostan (newspaper) , in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2014-10-08. DOI: 10.15463/ie1418.10468.

License

This text is licensed under Creative Commmons Licence (Attribution-NonCommercial-NoDerivs 3.0 Germany-CC BY-NC-ND 3.0)

Table of Contents

Table of Contents

Aim and Concept

Actors and Content

Selected Bibliography

Citation

Content